IFB recently republished a post titled, “Finance & the Fashion Blogger: Ignore-ance” that dovetails nicely with the amazing discussions about labor, new media, and capitalism that are happening in the comments sections of Threadbared. (See here and here. If you haven’t joined the conversation, it’s not too late!) In “Finance & the Fashion Blogger,” the blogger considers the personal financial cost of fashion blogging:
I think the rise of the fashion blogger has led to the rise of other things–increased need for consumption, a competitiveness to buy more and keep up with other bloggers. I remember reading about shopping addictions in magazines when I was younger, but I question if that’s on the rise too, with instant access to dozens of sale emails and posts popping up before our eyes every second.
What really struck me was a quote she gives by another blogger, Birdie (of Bonne Vie): “The act of buying is so integral to writing that sometimes I wonder how bloggers keep it up.”
Is capitalist consumption integral to creative production? Is the creative process inextricably bound up in capitalism? Is this new media only a technology for enlisting gender normative capitalist conduct from women bloggers, naturalizing further the myth that “women are born to shop”? I’m not so sure which is why I’ve been pushing myself (as well as asking readers) to imagine the value of digital content and digital labor outside of capitalism.
This isn’t easy. It’s especially daunting for fashion bloggers who are, by definition, engaging (albeit in very different ways) with the procedures and logics of consumerism, accumulation, and possessive individualism. Of course fashion consumption isn’t necessarily a constitutive element of fashion blogs. Maintaining Threadbared doesn’t require that Mimi and I replenish our closets because style posts aren’t a central feature of this blog. (When we shop, we do so for the sheer joy of it!) Strictly speaking, though, Threadbared isn’t a “fashion blog” – it’s a research blog about the politics, economies, and cultures of fashion, style, and beauty. Still, many other more traditional fashion bloggers don’t shop for their blogs either. I’m thinking of bloggers like Amy Odell of the The Cut or Cathy Horyn of the New York Times.
Sheena Matheiken isn’t a blogger, as such, but you can see in the video that she’s insanely adept at putting together outfit posts for The Uniform Project. Just so we’re clear, Matheiken produces these amazing daily outfit posts without shopping for new clothes. In fact, she wears the same dress (taken to dizzying heights of creativity and difference) 365 days per year! I especially love her “pants posts” which magically transforms her dress into a tunic or a jacket and doesn’t at all give that dress-over-pants look that I grew tired of almost immediately as it became popular (8 years or so ago). [I feel that I have to qualify that statement: the dress over pants look is entirely acceptable if one is wearing an ao dai (but technically, that’s a long shirt over pants) and if one is not doing so as costume.] But I digress . . .
If you don’t already know about this amazing project, definitely check out the link as well as this mini-interview with Matheiken. Oh, and if The Uniform Project sounds familiar to you, it may be that you read Mimi’s incisive post about the project and the way it puts into productive tension the desire for individualization and imperatives of standardization. Now that The Uniform Project is embarking on Year Two, it’s a good time to revisit Mimi’s post!
Here’s how Matheiken describes the project:
Starting May 2009, I have pledged to wear one dress for one year as an exercise in sustainable fashion. Here’s how it works: There are 7 identical dresses, one for each day of the week. Every day I will reinvent the dress with layers, accessories and all kinds of accouterments, the majority of which will be vintage, hand-made, or hand-me-down goodies. Think of it as wearing a daily uniform with enough creative license to make it look like I just crawled out of the Marquis de Sade’s boudoir.
The Uniform Project is also a year-long fundraiser for the Akanksha Foundation, a grassroots movement that is revolutionizing education in India. At the end of the year, all contributions will go toward Akanksha’s School Project to fund uniforms and other educational expenses for children living in Indian slums.