Tag Archives: course syllabus

“It’s In the Syllabus.”

A woman's torso, she wears a white t-shirt reading, "It's in the syllabus."

Hey, want to see the readings (and the Spring 2011 course blog) for “The Politics of Fashion”? Check it out there, but comment back here, please. I’m not sure yet if I’m going to limit comments to the course blog to enrolled students, and myself — any thoughts?

I know I need to update my clips, but I cannot make myself watch The September Issue (2009, dir.RJ Culter). I already hate The Devil Wears Prada, and I can’t imagine wanting to watch another film about that awful magazine. I’m looking forward to screening Chris Rock’s Good Hair (2009); I need to watch Malls R Us (2009, dir. Helene Klodawsky) to see if any part of it relates to the course (I’m hoping it will go with Marianne Conroy’s “Discount Dreams”); and I would like to see Picture Me (2009, dirs. Ole Schell and Sara Ziff) though I deal very little (or at all) with that part of the industry (though doing it through a concept of labor would help). I hear that the “breakout star” of Bravo’s The Fashion Show this season is Calvin Tran, and that he does speak about how his refugee passage informs his relation to the work — perhaps a good pairing with Thuy Linh Nguyen Tu’s The Beautiful Generation? (Here’s the interview, and here’s our review!) I usually show Doo Ri Chung’s segments from Seamless (2005, dir. Douglas Keeve) with Tu’s work. What else is interesting or relevant? Suggestions?

It’s 5 a.m., and I clearly need to sleep lest I ramble on much more. So much love and thanks to Minh-Ha, by the way, for keeping up the good fight on the blog, our Facebook, and our Twitter, while I have been mostly AWOL for the last few months — whew!

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Filed under (AD)DRESSING GENDER & SEXUALITY, FASHION-INDUSTRIAL-STATE COMPLEX, FASHIONING RACE, FASHIONING THE HUMAN, IN THE CLASSROOM, THEORY TO THINK WITH